New Script in the Works

Now that the holidays have passed, I have started work on a Christmas episode for the initial season of "Next in the Series." I'm sure it's destined to be a classic, replayed ad nauseum each year until radios are flying out windows all across this great land of ours. And Canada.

The script is called "Looking for Christmas," and it features a series of vignettes concerning Christmas. Some characters from earlier scripts reappear, such as Bitlle and Bette Joinsoin, Mel Kaminsky and other characters from "The Anniversary Schmaltz," and, most notably, Jerry and George. Jerry and George provide a kind of spine to the thing in a series of vignettes in which they introduce Jerry's girlfriend, June, to the sport of Christmas Light Looking. As they drive around rating various light displays, we are trasported into the homes and scenes they describe.

So far, I have four of the vignettes written and have started on the Jerry and George segments. None of them, so far, involve Santa having difficulty in delivering presents.

As for me, I have to go now. There are halls to deck.

The Elizabethan Mudbone Blues

"Many of the lyrics of the songs in Shakespeare's plays were written by the dramatist . . . in . . . collaboration with such skilled musicians as Thomas Morley and Robert Johnson." --"Shakespeare: The Biography" by Peter Ackroyd, page 357.

Good evening! For our next song, we'd like to sing you a new one written by Willie Shakespeare and Robert Johnson. It's called "The Elizabethan Mudbone Blues."

I got a Dark Lady
And she really got me down.
Ohh, I got a Dark Lady
And she has really got me down.
Oh, she's been unfaithful,
Give it to every man in London town.

Sent a sonnet to a young man
Urging him to take a wife.
Sent a sonnet to a young man
Urging him to take a wife.
But there came another poet
Who tried to steal him from my life.

Oh, I'm stuck here in London
With Those Elizabethan Mudbone Blues.
I said, I'm stuck here in London
With those Elizabethan Mudbone Blues.
I think I'll bury my sorrows
Down in the Bishop of Winchester stews.

(Guitar solo)

Oh, I'm stuck here in London
With Those Elizabethan Mudbone Blues.
I said, I'm stuck here in London
With those Elizabethan Mudbone Blues.
I think I'll bury my sorrows
Down in the Bishop of Winchester stews.

The Step Taken

Yesterday, I delivered a proposal and a demo CD to the Administrative Assistant of a District Manager of a national retail outlet. The search for sponsorship has begun.

Actually, I brought two copies of the package. Having served as an admin, I know that they typically get squat. And since she was very nice, I'm glad I did.

Keep your fingers crossed. Good wishes are gratefully accepted.

The New Direction

The demo is just about ready to go (a couple of small glitches are being repaired by the estimable Tom O'Neill). That means that The Official Pursuit of Money 2006® will be getting underway either later this week or early next. Also, The Official Next in the Series Website® has been redesigned (also by Tom) and is looking sparkling. Thanks also go to my nephew, Chris, who found the server space and got me my toehold on the Internet in the first place. I am indebted to both of them.

It has been a long, slow, careful campaign up until this point, but our troops are poised on the heights, ready for the final assault.

In keeping with these developments, I have decided to remove all the political posts from this blog and place them on a new blog I call The Fool's Guide to Cant. All of my ranting and raving will move there, and this blog will devote itself to the show and its development, eventually becoming a place where fans can come to get news and discuss show-related topics.

If you like my political rantings, please check out The Fool's Guide to Cant. If you don't, then heave a sigh of relief and make yourself at home here.

Onward and upward. And Edward.

My Brushes With Greatness, Part Four

We'll call this, "The Atlanta Years."

Since The Weather Channel is just in nearby Marietta, I might as well start there. (I know that these folks represent the minor leagues of celebrity-dom, but they count. But only to ten, Mudhead.)

I saw Jim Cantore in the passenger seat of a convertible over by the Lindbergh MARTA station flirting with some attractive young ladies who were in a different car. (This, in itself, should be proof of the celebrity status of these folks. If he wasn't on The Weather Channel, Jim would have just been any of thousands of big-beaked baldies who consider themselves God's gift to women. Ladies, if you ever do receive this gift, exchange it.)

My wife and I also saw Mark Mancuso getting lunch at CiCi's Pizza in Marietta. Not quite the jet set yet.

In other late-breaking news, I once saw Cher walking along Peachtree St. downtown while some guy documented her day with a video camera. Either he worked for her or he was the pushiest of papparazzi. She was all duded up and appeared to be about nine feet tall, at least from my vantage point across the street.

Most of my Atlanta-based sightings came while I was employed at a bookstore located in the airport. Jane Fonda almost ran over me on Concourse B. I had to leap out of the way to avoid being trampled by Jane and her entourage. No "sorry" or "excuse me" or "beat it, skinny." (That was a long time ago.) I just leapt to safety while they continued on down the escalator.

Of course, I've also been in the same ballpark as she and Ted, back in the old days at Fulton County Statium. I was always seated a couple classes of attendee classes away, though and never got to mingle with the upper crust.

I did share a men's room with the sports announcer, Jack Buck, though. I think I whizzed at adjoining urinals with some other famous guy, too, but the name isn't coming to mind.

But back to the bookstore. I rang up both Spike Lee and Tommy Smothers. Both bought intelligent reading. Both made it obvious that they preferred to not be recognized, thanks. I complied, but wanted to say to Mr. Smothers, "Thanks for the pumas in the cravasses." They were not together.

Back in my former life, I used to spend some time at a well-known local bar called Manuel's Tavern. I saw Howard Hesseman there back in the mid-80s.

And that is where I met the toppersmost of the poppermost of the celebrities I've seen. I was in there one evening with a friend, indulging my love for Irish Whiskey. Someone came in and sat at the table behind me. My friend's eyes widened. It was Amy Carter. But that's not it yet.

A little while later, the combination of beer and whisky was playing havoc with my renal system, and I excused myself to make my way to the Men's Room. As I got up, I noticed a couple of guys in sunglasses standing by the doorway. As I tried to make sense of this image, tottering up the aisle in that direction, I came to realize that, coming along that same aisle, in my direction, was former President James Earl Carter. I was not exactly sober, but I tried to gather my wits as best I could. As I weaved in his direction, I could see the fear in Jimmy's eyes. However, being a politician, instinct overcame fear and his right hand extended in my direction. I grasped his hand and said, "It's good to see you, Mr. President." He smiled and relaxed perceptibly and said somehting noncommittal but pleasant and made his way past me. Rosalyn, it turned out, was right behind him, and she and a couple of Secret Service types also crossed my path as I resumed my trek to the men's room.

I'd like to say that we spent the rest of the evening jesting convivally, but no such thing happened. The Carters, who were seated behind me, apparently drank good Southern sweet tea. I don't remember who left first, but I think they did. It was an interesting experience. I hope to remind him of it one day.

My Brushes With Greatness, Part Three

I forgot one from the Rhode Island days, and it's probably the best one.

When I was a student a Community College of Rhode Island, those of us in the theater program would make semi-annual trips to New York for a day of theater and tourism. The bus would let us off near Times Square just before noon, and we would go our separate and sundry ways for lunch. The entire group would reunite for a matinee and then disperse again for sightseeing and dinner. A second show in the evening would be followed by the long bus ride back to the CCRI parking lot, where we would arrive about two or three in the morning. All-in-all, a full day.

On one of those trips, between I don't remember which shows, I was part of a small group that decided to eat dinner at Joe Allen's, a well known eatery on 46th St. For some reason, after dinner, I was the first one out on the street, my compatriots dawdling inside for several minutes before emerging to meet me on the sidewalk out front. Well, I come out into the cold winter evening and take up a position near the door under the canopy. And who is stading there not four feet away from me? It's Marilu Henner, then at the height of her fame on "Taxi," talking to some old goat while she waited for a cab.

Now, I have to say that on television she was pretty attractive. However, in person, she was downright beautiful. Actually stunning. I know this because I was stunned. Since I have a personal policy of never intruding into the lives of strangers just because I've seen them on TV, I just stood there and eavesdropped on her conversation and watched her disappear into a taxi and get absorbed into the bloodstream of Manhatten. I don't remember the conversation she had, but I do remember that she seemed very nice.

My companions emerged after she had left, but I think I kept my rendezvous with Marilu my own secret. I knew, somehow, that the beauty would have been lost in the telling.

My Brushes With Greatness, Part Two

My salad days as a celebrity spotter came during the four years that I lived in Washington, DC. Many of them, of course, were somehow connected to politics. I saw Jody Powell crossing K Street. I saw Senators John Chaffee and John Warner crossing the street from one of the Senate office buildings to the Capitol. (I remember Warner gesticulating wildly and saying, "It's an 800-pound gorilla!" Chaffee looked like the guest at a party who gets stuck talking to another guest who has taken up Amway or Scientology.)

I watched the Reagans disembark from the helicopter after a special tour of the White House. (The Oval Office is smaller than you think. So is the Cabinet Room. The bowling alley was closed for repairs, but we did get to see the florist's shop. "An American President" booted that one!) The President was obviously wearing a flak jacket and Nancy was taller than I had expected. I disagreed with practically every move that administration made, still do, but it is something to see a sitting President up close.

I worked for a while in the building where Duke Zeibert's was located, so I used to see Larry King from time-to-time. Never an entourage. Just Larry walking to Duke's for some brisket.

One time at that location, during the visit by Gorbachev, I had to do one of my drudgery-filled legal assistant chores. As I came out onto the corner of Connecticut and L, I noticed that the streets were blocked off for the Soviet motorcade that was going to the White House. I thought about waiting just to see, but, feeling the pressure of my onerous duty, continued on to K Street, where I could get a cab. That evening I discovered that, not five minutes after I had been standing there, Gorby had stopped the motorcade at that exact corner and gotten out to shake some hands. That is my great near miss.

And speaking of near misses, I almost got run over by Ted Koppel as he was leaving ABC one afternoon. He was driving a Mercedes convertible and was not stingy with the accelerator. I had just stepped off the curb and actually had to jump back to avoid becoming a second hood ornament. And you know what? Even at those speeds in a convertible, his hair still never moved.

I saw E.G. Marshall walking towards Pennsylvania Avenue on 21st St. I followed Ron Moody (who was appearing in a revival of "Oliver" at the Kennedy Center) on 23rd. I went to see Ian McKellan in "Acting Shakespeare" at the National Theatre--was even part of the crowd that he invited onstage at the end--and happened to see him leaving by the stage door later, alone, head down, pensive.

I ushered what was supposedly the last performance ever of "In Regard of Flight" and got to watch Bill Irwin rehearse a single slap with one of the other performers for about ten minutes before the show. He had a New Years Eve party to attend in New York after the show, and got pretty huffy and cut "The Clown Bagatelles" short when a prop malfunctioned. The rehearsing was impressive, but the rest of his actions made him look like a swine.

I saw Art Buchwald coming out of the building in which he had an office one day.

But I couldn't go see Willie Mays when he did a book signing there. Talk about your regrets.

My Brushes With Greatness, Part One

I have come to the conclusion, over the years, that celebrities just like me. They must. After all, for someone who has never lived in either New York or LA, I've had an enormous number of meaningless encounters with people who are well known, either from show business or politics (if there's really any difference), over the course of my life.

The first one, I guess, was the then center for the then San Francisco Warriors, Nate Thurmond. The then owner of the then Warriors was then a parishoner at the Catholic Church that sponsored the school that I was attending. Then. As a result of this connection, Nate Thurmond, all 6'11" of him, sat at the dais in our school gym at the year-end sports banquet. I was there to be awarded certificates for having been ejected from both the 5th grade basketball and baseball teams for refraining from appearing at practices and games. (I was also bounced from being an altar boy for similar reasons. It was a banner year.)

I also that year, as part of the annual Christmas Seal drive, sold the aforementioned seals to the maid of then-Councilwoman Dianne Feinstein, who lived a few doors down the hill on Lyon Street. I know this may not completely count since I never met the lady herself, but I did meet her front door and her maid, which is more than most people can say. And just for the record, pretty nice digs.

Of course, a few members of The Jefferson Airplane moved in about half a block from us on Washington Street in 1969. I don't think I ever saw them, but I might have seen the moving van.

And remember when George Harrison led a procession of Hell's angels and assorted hangers-on around Golden Gate Park in the summer of 1967? Well, I was conveniently located only half-a-block away on 36th Avenue at the time. And I'm sure that, as George promenaded around Spreckel's Lake that day, that he was heard to inquire about that "that lad who lost his boat here." All right. Maybe not sure.

Moving to Rhode Island in 1970 really put a crimp in the activities of my celebrity stalkers, although I did come to know a fair number of local TV and radio folk over time. I did, also, once meet a true player on a national level, former U.S. Senator John O. Pastore, who stopped into a gas station I was working at to ask directions to Bishop Hendricken High School. He was very nice and I was somewhat less than helpful. He thanked me anyway.

I also knew a guy who was Meredith Viera's stalker back when she worked at Channel 10. He also stalked Caroline Kennedy. I fully intend to discuss this fellow with Meredith some day, God willing.

The Lost Art

I miss letters. Good, old fashioned, fold 'em up and stick 'em in an envelope letters. Personal letters, ones to friends and relatives. I love both getting and sending, but neither occurs with any regularity anymore.

The letter has been replaced by the e-mail, but e-mails don't really work as well. There is a hurried quality to most e-mails, and most are as dense and cramped as telegrams used to be. "Will be leaving in morning. Stop. Would drop by, but can't. Stop." This, of course, has been exacerbated by the use of pointless abbreviations, such as u for you and 4 for, well, for. Reading some people's e-mails can be a task as daunting as breaking the Enigma Code and far less worthwhile for the fate of Western Civilization.

There is something else about e-mails, the very speed of the thing, that contributes to its pressurized aura. I think that the knowledge that a letter would take a few days to reach its destination removed some of the pressure in its composition. I remember it well: We used to write complete sentences and spell out entire three-letter words. Instead of writing "Things are good. Please send money." followed by a smiley face, stories were told and incidents were elaborated on.

Letters are an expression of a life; e-mails, often, the expression of a need.

My e-mails tend to be too long and loquacious, too thought out and too composed. They're most likely a bore to read on a screen, and, lacking smileys to indicate my intent, difficult to decipher and easy to misinterpret. Just as you don't use a screwdriver to loosen a lug nut, you shouldn't expect e-mail to serve the function of snail mail. You just end up with an unloosened lug nut and a broken screwdriver.

Almost Free at Last

For the fifty-somethingth time in a long and varied career of supporting myself with jobs that really aren't worth taking the time to do, I find myself taking leave of my employment. The way it happened is this: My job is being consolidated, but I'm not. Actually, the company I'm working for is treating me just fine on my departure; I have no complaints. No lawsuits shall be forthcoming, no anonymous tips to an investigative reporter. They're giving me a small clump of money, and I am going away. Everybody's happy.

The funny thing about this to me so far has to do with the people I have notified of my departure who have not yet returned my email. This can be expected in these situations, but I always have to wonder why most people are so silent. Are they afraid of being unconsolidated as well in a kind of weird guilt by association? Is it the stench of failure, even though I feel a sense of accomplishment and liberation? (I should write more about that liberation thing and get it translated into Arabic for the benefit of all my fans in Baghdad.) Am I now considered one of the unclean? Are they afraid that I'll hit them up for money or a job? Or are they just jealous because they are still manacled to their desks while I get to experience the heady brew of freedom?

Who knows? Maybe it's a mixture, a sloe gin fizz of fear and resentment. Or maybe it's something I've yet to consider. Could be, could be!

The point really is that I've been given a small chance to better myself in this deal. My ejection from the world of corporate stooges comes just at the moment that I am pushing the show forward. Can this be a coincidence? Of course it can, but I'm not going to consider that for a second. The Fates are conspiring, and, for once, I'm getting in on the ground floor.

Next in the Series: The Update

The demo is being assembled. A sponsor is being pursued. Cryptic messages are being typed. A full-out assault is being made on the future. But don't let the future know. It's a sneak attack.

Try Kim Jong Il

According to this article posted on the Harper's Magazine website today, one of the "titles allegedly used by 'prominent leaders from 160 nations across the world' to refer to Kim Jong-Il" as reported by North Korean State Television is "Leader with Extraordinary Personality."

Apparently Kim's PR department is made up entirely of retirees from the 1943 staff of Batton, Barton, and Durston. Just as an experiment, let's run a couple of variations up the flagpole and see who salutes.

"Kim Jong Il: He's Personalilicous!"
"The Leader with Pep"
"He Puts the 'Tic' in Lunatic"

Of course, another of the "titles" given was "Eternal Bosom of Hot Love," which was also the title of an email that wound up in my bulk folder. Let's throw this notion into the mix.

"Kim Jong Il: Who Says He Can't Be Licked?"
"The Leader with Staying Power"
"Kim Jong Il: He's Your Daddy!"

If at First...

I've revived the blog I set up last year when I was drafting my novel Michael Drayton, Detective Guy. I'm not going to be posting it as I write it this year, but will just use the blog to post updates on its progress.

Join the expectant crowds gathering now at Michael Drayton Detective Guy!

Seminar

(I wrote the original version of the following story in 1984. I've sent it out a number of times over the years in different versions, but have never succeeded in placing it anywhere. This current version is a total rewrite of the original and is substantially different. Since I can't find a home for it otherwise, I've decided to self-publish it here. Of course, as with all my posts on this blog, "Seminar" is copyright 2005 Len Cassamas.

It did once get an Honorable Mention in a short story contest. I hope you enjoy it.)

The thing to do in these situations is to just put your head down and work. Ignore the distractions and avoid anything that will distract you from your task. Sure, you can take lunch. You can even take a break, if you have to, but the thing is, when you are at your desk that is your world. Go beyond concentration. Live it. Discover the process. Find patterns and motifs heretofore unnoticed even in the most mundane and tedious of tasks. And remember: Interruptions are the enemy. Which is precisely why I went after him with an exacto knife.

Concentrate on the mechanics of whatever it is you’re doing, no matter how silly or mind numbing. For example, take your pen. Hold it. Sense it in your hand. Move your fingers over the long, stiff shaft. Now, grasp it firmly, lovingly. And write. Now, what do you hear? Anyone? What are you hearing? Is it a scritch scritch scritch or a pfft pfft pfft? Because there is a sound, and it is constantly lifting itself off the paper, waiting for you to hear it. All you have to do is allow yourself to experience the pen. Feel its penness. Connect with the inner pen deep inside you. Live the mystery of hand, pen, and ink all cooperating, all working together, all synergizing in the achievement of writing. Maybe if his writing had been more legible, I would have been less likely to stab him.

Okay, now, let’s talk about your desks because they are very important. When you are at the office, it is your home. When you are at home, it is your office. We call this “duality.” Okay, so you have a desk at work, and you have a desk at home. You cannot escape this. Unless, of course, you are in your car, which is why we have laptops and cell phones. Now, the thing to remember is this: Love thy desk as thyself. Respect it. Keep it clean. Don’t carve your initials in it. Somebody else is just going to end up sitting there anyway. And you wouldn’t carve your initials in your house or apartment, would you? Because this is how you have to think of it: It is your home. And it is a home that comes to you free and clear from the company without the two mortgages and the home equity loans. All it costs you is forty to eighty hours a week, depending on your commitment. My commitment was six weeks, entirely voluntary. Long desk. Cool desk. My desk. Put your coffee somewhere else; you’ll leave rings. Phone rings. Coffee rings. Onion rings. Answer politely. Give name even though they never get it and always end up calling me Herb. Right, right, Tuesday the 12^th. We’ll reference it. It impacted me. We’ll have to address the longitudinalzation of our imprint in the asymmetrical market-zone firing place. Optimize. Maximize the minimization. Damn the torpedoes, full steam for the shoals and rocks. Quacking? I wasn’t quacking. I think it was a cough.

Of course, your desk isn’t just hovering around the building like the mail guy or an escaped thought. Oh, no, it is anchored securely to a cubicle, and the cubicular life comes with a certain amount of responsibility. Just imagine if you had a neighbor who had walls covered with pictures and magazine clippings, every surface covered with junk and knickknacks, and piles of papers all over the floor. What would you do? Why, you’d do the only thing you could. You’d get the city to condemn the place and have the neighbor thrown into the street and their house razed. It’s the only civic-minded thing to do. Now, what is a cubicle if it is not a house on a street? Isn’t the person in the next cube your neighbor? And the guy over by the printer and the lady next to the copy room? And a good neighbor keeps his area clean and orderly. You’ll find that loose papers cloud the mind and block the heart. So, remember, there’s a place for everything. And everything had better stay out of my way. I’m busy. What? The Feldman file? I think my shredder ate it.

Now, as will sometimes happen with neighbors, disputes can arise. I didn’t start it. He did when he stole my stapler. Hurt feelings produce more hurt feelings. My beautiful stapler. There’s a temptation to act out I’ll poison his coffee or shut down right after I finish this game of FreeCell. But it doesn’t have to be that way. The key, here, right off the bat, is to try to relax. Take a deep breath and try to reassert your own personhood, your own value as an employee. Say to yourself, “I am a person. I have worth.” More than they pay me for. Find your center. Nougat. And if you can do that, do you know what you’ve got? A twitch along my jaw line. You’ve got the beginning of the first step of the dawn of a new relationship.

Remember that your relationships with your coworkers should be open and friendly. You should be a seamless part of the group, and yet still your own functioning ego system. A whole within a whole. I wish I were in a whole. I miss my stapler. But not the guy who stole it. Him I’m going to hit.

Work should be a fulfilling experience. You should leave work energized every day because fulfilling the work fulfills you. Every time the company’s stock goes up, you should get a jolt of pride. Enjoy your work. Luxuriate in it. But don’t lag or you’ll end up in a line downtown. Use your time well, economically and efficiently, and you’ll find yourself more productive, more proactive, and a greater asset to the company than you’ve ever been before. You’ve got sixty minutes in every hour. And twenty hours in every minute. Use them to their fullest and you could find that doing the same work at the same place for the same pay on the same days in the same weeks can be a very enriching experience. Emotionally, that is. I want my damn stapler! I called it Fred. It used to sing to me with its simple ker-chuck ker-chuck ker-chuck. How we’d improvise, me and Fred. Fred the Stapler. The thing is, he shouldn’t have had his hand there anyway. And he didn’t need a tetanus shot, only a booster.

Now, speaking of emotions, another good rule to have is to keep work at work and home at home. This is why we don’t encourage you to bring in pictures of your family, or to take personal phone calls or e-mails. It’s for your benefit. Because a cocktail made up of equal parts of work and home is a very heady brew, and not everyone can handle it. That’s what my ex-wife said. There are studies with pie charts and graphs that prove this. According to our figures, a recent survey of studies showed that all the real money is in research. Be a rhesus monkey for fun and profit! Just draw the pirate! And quarter him, too!

What I’m trying to give you here is tools. What I need is Valium. But you should feel free to go out and explore, do some research, ask your friends, and see what kind of coping mechanisms you can discover in your own life. Yeah, but then how would I ever pass the random drug test? Maybe you could hit a loved one with a pillow. Maybe I could hit you with a brick. Take the long view. Must stop at drugstore, get razor blades. Watch TV. Feel like high technology is over your head? Try Compugram, the digital vitamin. Keep your perspective. I wouldn’t worry about downsizing. It’s the poor performance of the 401k that’s got me oozing sweat. Examine your options. What did I do with the classifieds? Sharpen your skills. Twenty-seven across is the same as three down except on Thursdays when it’s “erne.” But most of all, I want to leave you with this one final thought: Relax. All right. Who’s vibrating? You or me? Now, who’s ready for a break? I know I am. Yeah, I'm ready. I’m ready for anything.

THE END

XM Satellite Radio Is a Many Splendored Thing

As my small but faithful audience will attest, I am not prone to using this space for commercial purposes. Lord knows I haven't made a penny off it. But this is not a post about commerce; it is a post about love.

It has been just over three months since we got our satellite radio receiver and our XM subscription, and I am urging each and every one of you to get yourself some XM today. And I'm not just saying this because I'm hoping to get my show on there some day. That is just one of the possible rewards (or liabilities, depending on one's point of view) that will come with this amazing service.

Let me tell you the whole story.

We got it so that I could test it out and see what the satellite radio experience was like. Still, we installed it first in my wife's car. I had long been away from listening to the radio in the car because I am, by nature, a generalist and modern radio prefers to focus on the specialist. If I were to listen to something while driving, it would be a CD. Most of the time, I just treated myself to the noise of the traffic and my own neurotic ramblings. It seemed my wife would get more use of it than me, and everyone was pleased.

Well, about a month into things, we planned on taking my car on a mid-length trip (about an hour-and-a-half each way), so I switched the satellite receiver and antenna over. And when we got back, I kept it. I started listening to the radio all the time. And I'll tell you why.

There is a feature on the receiver we bought--the Delphi SkyFi 2--that brings me more delight than I have ever gotten from a technological device before. You can program it to remember up to 20 artists whose work you enjoy. Every time a song of theirs comes on any XM channel, the receiver beeps. It shows you the name of the artist, the selection being played, and what channel it is on. And then you can either press a button and change over to the new channel or leave it alone and stay with what you've got.

This gets me all over the 150 channels and leads to occasional bits of serendipity. Take last night, for example. I'm driving to CVS and I hear the beep. I look at the receiver and find out that Bob Dylan is on Hear Music (the official channel of Starbuck's). They're playing selections from a CD made from a bootleg of Dylan in performance at the Gaslight in New York in 1962, and the first thing they play is "A Hard Rain's a-Gonna Fall."

Now, frankly, the Starbuck's channel isn't my go-to channel. Without this feature, I would never had heard it. But thanks to XM and the SkyFi 2, I got to hear the young Dylan, his voice still supple, rich, and melodic, singing the greatest folk song in history live. (The thought struck me while I listened that it was no wonder that he abandoned folk music. Where could he go after "A Hard Rain's A-Gonna Fall"?)

Now there were a couple of weeks there when we switched the radio back over to my wife's car. She missed XM. But then I began to miss it, too. So we bought a Delphi Roadie 2 for her and added it onto our subscription. I got the SkyFi back, and this morning got to enjoy both Alanis Morrissette and Allan Sherman without having to surf across the dial. There are three menus of favorite channels that you can set, so that, with the touch of a button, I can go from the 60s to Sonic Theater to Frank's Place to Lucy.

So go ahead. Line up and sign up. It's worth it. Believe me.

I Hate Symantec

We have Norton anti-virus on our new PC, and I just made the mistake of okaying it to do the Live Update while I went ahead to work on other things. (In particular a rather lengthy post for this blog.) Once it was finished, a warning came up that I needed to get out of everything else I had going in order for the damn thing to automatically reboot my PC. Well, I didn't really feel like rebooting at that moment, and tried to x out of it instead of clicking OK. And the stupid thing rebooted the PC anyway!

The earlier post? Gone. The picture I uploaded? Gone. My patience? You guessed it.

What paranoid bonehead came up with this program? Is it named after Ed Norton? Who says we have free will? Screw you, Thomas Aquinas!

Beyond the Fringe

We were strolling through Border's over the weekend, just having finished our weekly troll for books, when we paused by the DVD section on our way to check out. My wife pulled the second season of "Bob Newhart" off the shelf, and we put that on the list for a couple of weeks hence. As she replaced it, my eye was drawn to the title next to it. My eyes bugged out and my jaw flapped open. They had finally released "Beyond the Fringe" on DVD.

This, for me, was monumental.

I've been hearing about Beyond the Fringe for more than 25 years now, since before Dudley Moore was in 10, at least back to the time that Cook and Moore appreared on Saturday Night Live and proceeded to cock things up by daring to be both funny and to-the-point, qualities rare on that program.

I've seen clips from the performance captured on this DVD. It was the farewell performance of the show, which had started at the Edinburgh Festival in 1960 and then transerred to London's West End where it became a smash hit. The four performers (Peter Cook, the aforementioned Mr. Moore, Jonathan Miller, and Alan Bennett) took Beyond the Fringe to Broadway for a year before returning to London. A legend was born.

I've been aware that it had been filmed for about ten years. Way back in the hazy '90s, I watched A&E's Biography of Dudley Moore, and there were clips of Beyond the Fringe in that. I was quite struck by the look of it, the aesthetic of the show itself. In place of elaborate costumes, they wore suits that they supplemented with hats, as needed. The set was a connected series of three platforms with a couple of flats attached to them. It was barebones basic theater, and even though I know that economics drove most of those choices, I liked it anyway.

So, the other night, I actually got to watch Beyond the Fringe. It was sublime. It was funny. It was beautifully staged. It made thoughtful points and was often just plain silly. One sketch, concerning Civil Defense preparedness in the shadow of the H-Bomb was frighteningly relevant here in the day of Homeland Security. When they demonstrated one method of warding off the effects of a nuclear blast, I had to think of the current administration. The protective device was a large paper bag that one pulled over one's head and body as protection. This seemed to me about as sound as using duct tape and plastic sheeting to protect one against chemical weapons.

I found much of the satire still effective, and it is for that very reason: They got beneath the headlines (mutally assured destruction) to the underlying ideas (fear as the basis for governance) of the things they were satirizing. Peter Cook's portrayal of the Head of Scotland Yard, updating the progress in the hunt for the perpetrators of the Great Train Robbery could have been any of the boobs who talk about dealing with terrorists these days. He hides his incompetence behind a smoke screen of words. (Interviewer: So, you think criminals are responsible? Cook: Oh, no! I think criminals are very irresponsible.) One feels certain that Mr Cook's Inspector would have assured the then-Prime Minister that catching the perpetrators was a "slam dunk." Plus ca change....

Cook is the funniest of the four and Bennett the best actor. Moore is very funny and easily the most musical. Jonathan Miller is, well, Jonathan Miller, intelligent and sardonic. Highlights include the above-mentioned Scotland Yard sketch, the above-mentioned Civil Defense sketch, Dudley palying "Colonel Bogie's March" from The Bridge on the River Kwai as though it had been written by Beethoven, Cook's monologue of a proto-E.L. Wisty sitting on a bench and explaining why it was he became a coal miner rather than a jurist, Bennett as an Anglican priest giving the homily on the text (allegedly from Genesis) "My brother Esau is an hairy man and I am a smooth man," the famous sketch "One Leg Too Few," and Jonathan Miller flailing about the staged after being stabbed in their Shakespeare parody. And everything else.

If you like British comedy in the line of The Goon Show and Monty Python and if you still chuckle at Sir Arthur Grieb-Striebling (or is it Strieb-Griebling?) detailing the menu of The Frog and Peach, you will definitely enjoy Beyond the Fringe.

N.B. There are a few glitches with the sound, but the journey is still well worth it.

The (Pause) Laureate

(TWO COCKNEYS SIT IN A SPARSELY FURNISHED ROOM.)

1ST COCKNEY:     Here.
2ND COCKNEY:     What?
1ST COCKNEY:     You hear the news?
2ND COCKNEY:     Sometimes.
1ST COCKNEY:     I mean today.
2ND COCKNEY:     What’s that, then?
1ST COCKNEY:     They been givin’ out the Nobel Prize.
2ND COCKNEY:     Have they?
1ST COCKNEY:     They have.
2ND COCKNEY:     (AFTER A PAUSE) Which one?
1ST COCKNEY:     What?
2ND COCKNEY:     Which bloody prize?
1ST COCKNEY:     Which prize?
2ND COCKNEY:     That’s right.
1ST COCKNEY:     You want to know?
2ND COCKNEY:     It makes no difference to me.
1ST COCKNEY:     But you’re interested?
2ND COCKNEY:     I don’t bloody care!
1ST COCKNEY:     (AFTER A PAUSE) You don’t?
2ND COCKNEY:     Not especially.
1ST COCKNEY:     I thought you might.
2ND COCKNEY:     Well, I don’t.  Nobody don’t.
1ST COCKNEY:     (AFTER A PAUSE) I bet he does.
2ND COCKNEY:     Who?
1ST COCKNEY:     Him.
2ND COCKNEY:     Which him?
1ST COCKNEY:     The him what won it.
2ND COCKNEY:     (AFTER A PAUSE) Oh.  (PAUSE.)  What did he win, then?
1ST COCKNEY:     Who?
2ND COCKNEY:     The fella that done won it.  Which prize?
1ST COCKNEY:     Lit’rature.
2ND COCKNEY:     (PAUSE) You don’t say.
1ST COCKNEY:     (AFTER A PAUSE) And he won it.
2ND COCKNEY:     Did he?
1ST COCKNEY:     That’s right.
2ND COCKNEY:     Then, who’s he, then?
1ST COCKNEY:     Who?  Him?
2ND COCKNEY:     That’s right.
1ST COCKNEY:     He’s that fella.
2ND COCKNEY:     Yeah?
1ST COCKNEY:     The one what wrote those plays.
2ND COCKNEY:     Which plays?
1ST COCKNEY:     Oh, you know.  All of ‘em.
2ND COCKNEY:     Who?  Shakespeare?
1ST COCKNEY:     No!
2ND COCKNEY:     He deserves one.
1ST COCKNEY:     It’s not bloody Shakespeare!
2ND COCKNEY:     (AFTER A PAUSE) Tell us, then.
1ST COCKNEY:     Who?  You?
2ND COCKNEY:     Come on.  Tell us.
1ST COCKNEY:     Guess.
2ND COCKNEY:     Give us a hint.
1ST COCKNEY:     (AFTER A PAUSE) Pause.
2ND COCKNEY:     (AFTER A PAUSE) Pause?
1ST COCKNEY:     Pause.
2ND COCKNEY:     Oh!  Pause.
1ST COCKNEY:     Pause.
2ND COCKNEY:     Oh, what’s his name, then?
1ST COCKNEY:     Who?
2ND COCKNEY:     The fella.  (PAUSE.)  With the pauses.
1ST COCKNEY:     That’s him.
2ND COCKNEY:     Is it?
1ST COCKNEY:     As far as we know.
2ND COCKNEY:     What’s his name, then?  Pinker?
1ST COCKNEY:     What?
2ND COCKNEY:     I said, “Pinker.”
1ST COCKNEY:     (AFTER A PAUSE) Did you?
2ND COCKNEY:     I did.
1ST COCKNEY:     (AFTER A PAUSE) Pinter.
2ND COCKNEY:     What?
1ST COCKNEY:     His name.
2ND COCKNEY:     Yes?
1ST COCKNEY:     His name is (PAUSE) Pinter.
2ND COCKNEY:     (AFTER A PAUSE) Are you sure?
1ST COCKNEY:     Yes.
2ND COCKNEY:     His name?
1ST COCKNEY:     Yes.
2ND COCKNEY:     Pinter?
1ST COCKNEY:     Yes.  (LONG PAUSE.)
2ND COCKNEY:     Not Shaw?
1ST COCKNEY:     Got his.
2ND COCKNEY:     Did he?
1ST COCKNEY:     Yes.
2ND COCKNEY:     (AFTER A PAUSE) That’s good then.
1ST COCKNEY:     Is it?
2ND COCKNEY:     I suppose so.
1ST COCKNEY:     (AFTER A PAUSE) Yes.  I suppose so, too.
2ND COCKNEY:     Well, you would.  Wouldn’t you?

(THE LIGHT DIM TO BLACK.)

Notify the Pulitzer Committee

Last November, I participated in something called National Novel Writing Month. This is an event held each November in which people from all walks of life and all around the world take a stab at writing a novel (the goal is 50,000 words) in 30 days. Last year, I participated and wrote 20,000 words of a novel I call "Michael Drayton, Detective Guy."

Since "Drayton" went unfinished last year, I have decided to take another stab at it this year.

This will not be an official entry since I am working outside the rules by resuming a work already in progress, but that's okay. I'm not really interested in winning a tee shirt anyway.

Unlike last year, I will not be posting the new stuff on a blog this year. Don't know why. Just don't feel like it.

I'm also going outside the rules by starting the other night. I've begun revising the chapters already to hand with the idea of using that to get a running start on the second half. With luck, I'll be finished with the revision by November 1.

I'm also not going to worry about going past November 30. The time has come to finish this--at least get it into good enough shape to send off. I'm not going to worry about writin' no radio scripts until this book is done. Unless, of course, somebody comes around with a wallet full of money.

The Tooth and Nothing But the Tooth

We've just returned from a long weekend in Charleston, SC. Over the course of this trip (which was otherwise quite delightful) a wisdom tooth of mine decided to make merry some of the other wreckage in there, and I was periodically entertained with waves of excruciating pain.

When we returned, I took the opportunity of updating my Three Stooges page-a-day calendar, and was greeted with the following message:



To add insult to injury, it was followed by today's entry:



This is a prognostication of my tomorrow with me taking the part of Moe and the dentist Curly. I can't wait for the iron frying pan anesthetic.